THE STAGE HECKLER: Gin Blossoms' Greatness Goes Beyond the Music

What you see here is the set list from tonight's live performance, courtesy of the Gin Blossoms. I grabbed it at the end of the gig, much to the amazement of 20 onlookers with the "I didn't know you could do that!" look on their face.

Grabbing the set list is the ultimate souvenir in many ways. It's hand-crafted by the band for just that show (printed from a computer, but you know what I mean), and typically reveals quirks or things they were considering playing that they didn't, such as the "Cajun Song" that you see on the list...and if you're lucky, and it was on the ground, you might get the guitarist's shoe print on it...or someone's spit. Or worse.

I'm always amazed how many other attendees don't think to ask, as tonight I was the only one inquiring to a roadie about it. He nodded, knelt down in front of where guitarist Jesse Valenzuela had been playing on stage right, removed the tape, and handed it over. No problem. I think that's the fourth set list I've been part of grabbing...there was Live in 1994, Matthew Sweet in 1996, Ratt a couple weeks ago, and now the Gin Blossoms.

Now let's talk about the band.

They might be touring the casino circuit these days, and they might be leaning heavily on material from their signature album, 1992's New Miserable Experience, for their live set...but this band from Tempe, Arizona -- now going on 20 years strong -- are survivors.

The sound of the Gin Blossoms is timeless in some ways, but also heavily rooted in the Tempe bar scene of the late 1980s & early 90s around the Arizona State campus. I should know, as I was attending ASU during those exact years that the Blossoms flourished from bars like Long Wong's, which has sadly since been demolished as Mill Avenue literally erased any sign of its history block after block (when Tempe whored out what remained of its soul to development interests in the late 90s -- Long Wong's...Bandersnatch...Cannery Row...the list goes on -- but that's a long story for another day). They'd also play local frat houses until they turned into a worldwide touring act. I had the pleasure of seeing them perform at several parties back in the day.

Seeing them live tonight conjured up many of the influences from back in the day that one might overlook, but are rather obvious if you know their music. The Stones and R.E.M. seemed to be the most obvious...the interplay between the two guitarists, Jesse Valenzuela and Scotty Johnson, echoed elements of the duo of Keith Richards and Ronnie Wood. Lead singer Robin Wilson seemed to have a mic & stage style in the likeness of Michael Stype. He handed his tambourine to someone in the audience to play along, and sang into someone's cell phone on a couple of occasions. It was amazing how much he sounded like Elton John when they played "Rocket Man" in the encore.

The Blossoms are one of those bands born to play live. They shine and thrive in the live setting, and very much have a live sound even in their studio recordings.

In their early days, there were years of hiccups, false starts, and the difficulty of getting known beyond the Tempe scene. Between the long frustration of trying to get on with a major record label, losing their co-founder /guitarist /main songwriter Nicky Hopkins to alcohol and eventually a suicide in 1993 (as the melancholy lyrics and feel of Experience reveals much of his illness), and after surviving a breakup in the late 90s, these guys appear to be back and stronger than ever. A new album is due out in 2010.

The most impressive thing about this band, however, is their character and heroism...which comes from an incident that occurred in 1994. Every August, when students start the fall semester at ASU, a popular activity is to raft down the Salt River. Unfortunately there can be lots of accidents on the river, and to/from the river, caused by drinking or recklessness. That fall, a female student was severely injured in a motorcycle accident enroute to the river and didn't have medical insurance...so while she lay recovering in a local hospital, the band got together to put on a benefit concert at Long Wong's bar in Tempe. The result was thousands of dollars raised through donations to help pay for the girl's medical bills...and remember, this is 1994...interesting context to current times.

If that isn't the mark of greatness, I don't know what is. The music of the Gin Blossoms is timeless and a personal sentiment, as they are part of the soundtrack to some incredible and memorable college years...but I believe it's that single act of thoughtfulness and heroism that defines them.

Rush has beer named after them...NOT KIDDING.

Hey. Don't ask me how I find out about this stuff.

The Flat Earth Brewing Company out of Minnesota has their dark porter beer in tribute to Rush, and has named it the Cygnus X-1, after the last track from their 1977 prog masterpiece A Farewell to Kings.

It doesn't end there.

Apparently there's a beer tasting on the brewery calendar that involves a half dozen or so versions of beers named after Rush-isms.

Engine room, where is my drink.

See the site rushisaband.com for details:

Earlier this year I'd mentioned the Flat Earth Brewing Company in Saint Paul Minnesota because they feature a Cyngnus-X1 Porter as a tribute to their favorite band - Rush. For the month of December, they are holding their Porterfest event at the brewery and featuring several additional infused versions of the their Rush inspired Porter. Here's the calendar along with the featured brews:

* 12/4 - Hold Your Fire Porter - Spice & Ancho Pepper infused Porter
* 12/11 - Mystic Rhythms Porter - Raspberry infused Porter
* 12/18 - Freewill Porter - Vanilla infused Porter
* 12/23 - Snow Dog Porter - Peppermint infused Porter
* 12/31 - Big Money Porter - Wood aged Porter

This decade's biggest musical event: the 2005 Pink Floyd reunion

It happened on only one night in 2005...but, in my opinion, it was the single most significant musical event of this decade.

It was Pink Floyd's reunion for Live 8, which occurred in London.

I point to the significance of this event on several levels.

1. It was the first time since 1981's tour of The Wall that Roger Waters appeared onstage with the other 3 members.
2. A cause "worthy" of a reunion brought the band together...and I realize I'm sounding as if a rock band is more important than a cause to help the ailing and sick continent of Africa...IT ISN'T.
   
3. In a passionate call out onstage from Roger Waters, Syd Barrett was recognized through an embrace of brotherly love, and was alive to hear it. Those who know the band understand the significance of Syd and the unimaginable weight of Roger's words (see the video here).
   
4. The event almost never happened to begin with due to constant feuding between Gilmour and Waters over the years...I'm convinced we caught them in a rare moment when the waters were calm (pun intended)...but considering how often they are ridden with disagreements, for one moment the stars and (dark side) of the moon lined up and they came together.
5. They actually appeared happy to be together onstage...they "all were Pink" that night. Roger Waters looked elated to be there, like a kid in a candystore. I think they were all realizing the importance of what they were doing at the time, and that it meant everything to them.
6. The fans were finally served what they'd been so richly deserving for so many years...their band together again, even if it was for only one night.
7. And, for the foursome that hadn't performed together in nearly 25 years, they sounded pretty damn sharp. Amazingly sharp, actually.
   

The significance of the reunion event has since been further elevated with the passing of songwriter /guitarist Syd Barrett (the band's founding member) a year later in July 2006...and then more recently Rick Wright in September 2008 (their man on the keys).

With Wright now gone -- a co-founder of the band who played in every single live performance the band ever put on -- it's safe to say that the band is finished, and that their 2005 reunion was the final curtain call.

Again, the fact that these four men were onstage together for even one night, opposed to a prolonged tour, only adds to the enigma of the band and its legendary status...and it makes the Live 8 event that much bigger of a deal.

This, of course, is being stated with less than 12 months of this decade left to tick off the clock...but I'll take my chances.

Feel free to share any thoughts on this.

Neil Peart performs at Buddy Rich memorial concert

A few posts back I mentioned Neil performing at the Buddy Rich Memorial Concert in NYC last Sunday...I believe I've found footage of it here...of course when he starts on the cowbells you can hear the Rush fans in the crowd.

I also have included footage of Rich as well, so you can have an idea of how skilled and unbelievable this guy was.

Neil Peart performing at Buddy Rich Memorial Concert

Neil will be the final drummer performing at the Buddy Rich Memorial Concert in New York City Sunday night...information on the event can be found HERE.

The event will be caught on digital stream via the drum channel...I'll look for the link and come back to post it.

Everybody's heroes

Here's yet another reason why Rush are my boys who NEVER disappoint. The cool factor with this band only lengthens over time. Here is a story by this cancer patient, who was approached by the Make a Wish Foundation:

Samantha is a 16-year-old Rush fan from Summerville, Georgia who was diagnosed with cancer back in August of 2007. 3 months into her treatment she was approached by the Make-A-Wish Foundation and asked how they could help to make her wish come true. The Make-A-Wish Foundation is a nonprofit organization that grants wishes to children with life-threatening medical conditions. They've granted wishes to 1000s of children since their inception in 1980 and are run entirely on donations. Samantha's wish was to meet her favorite band - Rush. This marked the first time Rush had ever been approached for a Make-A-Wish request. Here is Samantha's amazing story in her own words.

Wish Granted

I looked out to where, soon, 10,000 people would be standing to hear the band that I was about to meet. It was surreal. Ever since I was four, I had dreamed of meeting them. I had wanted to meet them for most of my life. As I grew, they became some of my heroes. Then when I was diagnosed with cancer in August of 2007, my world changed. The one thing that remained consistent was my family and their music. Three months into treatment, Make-a-Wish, a nonprofit organization, came to me and told me that I had a wish. I could do anything but get a car or a swimming pool. The things that I could do were numerous. I thought about it until the day they came to get my wish. Finally making my decision, I told them that I wanted to meet Rush.

The morning of July 20th, we went to the Verizon Wireless Amphitheater in Charlotte, North Carolina. We met with the head of security the band liaison, Kevin Ripa, who gave my family and I a tour of the stage, backstage and the dressing rooms. I got to meet the techs for the band: Bucky, the guitar tech, Gump, the drum tech, and Russ, the bass and keyboard tech. I even got to sit at Neil Peart's drum kit and hold Alex Lifeson's 1976 Gibson es355. After that we went to the back to wait for the bands arrival. I sat in on a security meeting and then I went back onto the stage to meet them. I first saw Geddy Lee. I was in awe. He smiled and gave me a hug. We started to talk a little when I saw a man in a white shirt and baseball cap come up. I did not notice who it was at first, thought he was just some guy, then I looked again. It was Neil Peart, one of my heroes. My emotions overcame me and I started to cry. At that point Neil gave me a hug. The last to arrive on stage was Alex Lifeson. He was a good natured person and a fun person to talk to. I told him that I listened to the song "Hope" over and over during my chemo treatments and the song meant a lot to me. That made him smile. After a little talking, the band went to their respective parts of the stage for the sound check. I went off the stage and to the rail at the front row. They played a few songs including Subdivisions, The Trees, and Ghost of a Chance. I then took a moment to take in where I was and what I was doing. I engraved everything on my mind, forgetting all else. It was like being in a perfect world filled with music. I went back on stage and Alex played the song Hope for me, which made me cry because of what it meant to me during my treatment. When the sound check was over, the band signed a few things including my copy of "Roadshow". Neil signed it "To Samantha, You can get back on! Neil Peart" I told him that my illness was like the lyrics in Farcry that go "some days I feel I'm ahead of the wheel and the next it's rolling over me". Neil also gave me the sticks he used for the sound check. Alex and Geddy gave me a bunch of picks. Geddy also gave me a "Henhouse" t-shirt. All generous gifts. I was also able to tell the band what their music has meant to me and my family, and also thank them for it. Then, the meet was over. It was an amazing 2 hours for me and my family. But the night was just beginning.

We went to the concert we had 5th row seats. During the first couple of songs, Kevin Ripa called me up on stage. After the song Ghost Of A Chance, Geddy walked up to the mic to talk to the crowd for the first time of the night. After saying hello, he mentioned that they had "a ton of material" for the crowd. He then said "but first, we would like to dedicate this next song to my friend Sam, this is from Hold Your Fire it's called Mission". Mission is one of my very favorite songs and Geddy told me while we were talking that it was his favorite song to play. For the third time that day, I cried. Watching the band play that song from on stage was overwhelming especially since they were playing it for me. The rest concert was phenomenal, and the day was one that I will never forget. My Dad and I also attended the Atlanta show 2 days later (THANKS PHILLIP!). I met many people there that were also at the Charlotte show that asked me about the song dedication. I was nice meeting everyone. I just told them that Make-A-Wish and Rush made it all possible. It was an unreal couple of days! Thank you Rush and thank you Make-A-Wish!

Make-a-Wish is an organization that grants once an a lifetime "wishes" to children with diseases like Cancer, Spina Abifida, Sickle Cell Animea, and other illnesses. It is an amazing organization. They made this such a special day for me and did everything in their power to make an awesome experience. The organization runs entirely on donations. If you would like to donate, see inspiring stories, or volunteer go to www.wish.org.

At last I would like to give a list of my favorite Rush songs

* Resist
* Mission
* Test for Echo
* Summertime Blues
* Working Them Angels
* Totem
* Hope
* Far Cry
* Malignant Narcissism
* Second Nature
* Marathon
* Force Ten
* Everyday Glory

My favorite albums are Test for Echo and Snakes and Arrows.

Thank you for letting me tell my story.

Samantha Dyar

I'm happy to say that Sam celebrated her 6th month of remission on August 16th and is doing great! Her father John also supplied some more details about the meeting which lasted for about 2 hours including sound check. They toured the dressing rooms and all around the stage and their family were the only people there during the sound check. Sam had an all access pass for the show and Rush's tour photographer John Arrowsmith followed her and her family around, taking several pictures many of which you can check out here. They also got to spend some time with Rush's lighting director Howard Ungerleider. Except for the few songs she was on stage, Sam watched the entire show from the rail (she liked the sound better out front). Sam's first Rush concert was during the Test for Echo tour when she was only 5 and she has seen Rush live a total of 10 times. Her very first concert was the Grateful Dead at age 4. Be sure to check out all the pictures from the meeting at this location. The expressions on Sam's face really speak for how magical of an experience this was for her. Many thanks to her, her family, Rush and the Make-A-Wish Foundation for allowing me to share this with everyone.

The Make-A-Wish Foundation is run entirely on donations. For information on how you can help, please visit this link.

The Legacy of John Denver

Many critics out there have referred to his music as cornball or too mellow, and some of you may feel the same—and that’s okay—but in my opinion he’s a prophet for his stance on environmental issues.

He was a man ahead of his time, who embraced environmental causes way before many of us even understood what environmentalism is.

John Denver introduced me to the environment through his music.

In particular, he exposed me to the stories of the beauty and majesty of the Colorado Rocky Mountains; a place which, shamefully, I still have yet to visit and explore. I'll get there someday physically, as I visit the place every time I put his music on.

My first exposure to Denver was probably around the age of six, when he was all over television in the mid-1970s. He was one of the first “tele-genic” pop stars, and very kid friendly, so my folks probably saw my interest and an opportunity to “culture” me, encouraging the matter by giving me John Denver’s Greatest Hits for Christmas 1975. I believe it was the first bona-fide record I ever owned—the one where he has his hand on his hat, with those nerdy specs and the sun in his eyes—how could I ever forget it...

...oh excuse me, my first record was one by Burl Ives, and it WASN'T the one with "Frosty the Snowman."

Yikes!

The most intriguing part of Denver’s music is the lyrics and themes, in that many of the songs deal with his very personal and spiritual kinship with the environment. Certainly they mean something different to a 6 year old kid than they do to an adult, but the imagery in his music definitely took hold back in the day. I saw visions of majestic mountains, grassy meadows, and mountain streams. I also took note of the concerns expressed in many of his songs; in that the environment is a living, fragile entity.

Looking back, I think I "got it" even at the age of 6... I guess I figured it's a no-brainer. Let's do whatever it takes to protect the planet and ensure its future. Duh.

What’s so funny about all this is the fact that my mother, who once stated that “she has no connection with nature,” and is the only person I know who refuses to recycle—essentially representing the opposite of everything I value in this world—is the exact individual who pushed the music of John Denver on me as a child. That’s what planted a seed for a big part of the belief system, and the stewardship for the environment, that I carry around to this day.

Damn it, I digressed again... somebody stop me.

Shifting gears, this month marks the 10-year anniversary of his untimely death in 1997, when he died piloting an experimental Long-EZ aircraft which crashed just after takeoff from the Monterey Peninsula Airport in Pacific Grove, CA. He was 53 at the time.

After establishing his musical career in the mid 1970s, Denver used his celebrity to further the environmental sentiments expressed in his music. In addition to focusing on humanitarian and sustainability work, his main focus involved conservation issues—and he went after them aggressively—actually helping to create the Alaska National Wildlife Refuge (I assume we all know the context of that locale).

Denver founded his own environmental group, the Winstar Foundation out of Snowmass, CO—which pursues conservancy and environmental causes in Colorado to this day, and furthers environmental education. You can visit their website here: John Denver's Windstar Foundation. Check out the site and offer some support!

If you ever want to know any detail of what was on Denver’s mind with the environment, just visit his music. I’ll warn you that much of it’s folk-based, and some of it might make you snicker a bit at first at what might come across as a cornball element—but if you give it a chance I think some of it should take hold. Try going to your local library and check out his Country Roads Collection, or try out the one I mentioned having as a kid (pictured above---nerdy-looking squinting fella in the funny hat).

So the story goes… thank you, John Denver, for the inspiration and example you set. S